@article{oai:seijo.repo.nii.ac.jp:00003813,
 author = {喜多崎 , 親},
 issue = {22},
 journal = {成城美学美術史},
 month = {Mar},
 note = {P(論文), Redon’s lithographic album la Maison hantée, inspired by the English ghost story, Haunted and the Haunters: or, The House and the Brain (1859) by Edward George Bulwer-Lytton, has been critisised for being too illustrational and lacking originality. Yet, when the images are compared with the  captions and the French translation of the original text of the novel by René Philipon, who orderd the album to Rodin, it becomes evident 
that the painter selected the objects that the narrator actually saw in the haunted house—the parts that do not describe story elements. To achieve an effect of ambiguity, Redon avoided narrative depictions of the scenes and in fact rejected illustrating the story.},
 pages = {59--79},
 title = {物語らぬ挿絵  : オディロン・ルドンの版画集『幽霊屋敷』の方法},
 year = {2016}
}