WEKO3
アイテム
日本におけるジョルジュ・ルオーの紹介、あるいはその受容について
https://seijo.repo.nii.ac.jp/records/3338
https://seijo.repo.nii.ac.jp/records/33380ba3f9b3-c1dd-4950-b5a1-017cb5de1c3c
名前 / ファイル | ライセンス | アクション |
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Item type | 紀要論文 / Departmental Bulletin Paper(1) | |||||
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公開日 | 2014-11-25 | |||||
タイトル | ||||||
タイトル | 日本におけるジョルジュ・ルオーの紹介、あるいはその受容について | |||||
タイトル | ||||||
言語 | en | |||||
タイトル | Introduction or Reception of Georges ROUAULT in Japan | |||||
言語 | ||||||
言語 | jpn | |||||
資源タイプ | ||||||
資源タイプ識別子 | http://purl.org/coar/resource_type/c_6501 | |||||
資源タイプ | departmental bulletin paper | |||||
ページ属性 | ||||||
内容記述タイプ | Other | |||||
内容記述 | P(論文) | |||||
著者 |
金澤, 清恵
× 金澤, 清恵 |
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著者別名 | ||||||
識別子Scheme | WEKO | |||||
識別子 | 8304 | |||||
姓名 | KANAZAWA, Kiyoe | |||||
抄録 | ||||||
内容記述タイプ | Abstract | |||||
内容記述 | Georges ROUAULT (1871-1958) was a French artist who became famous in the first half of the 20th century, such as Picasso and Matisse. He participated in Salon d'Automne, and changed his style, with a dynamic touch, arranging the original colors and dark colors in the influence of his teacher, Gustave Moreau. He continued to paint the same subjects, circus clowns, prostitutes, judges, religious scenes, and the anger and sorrow of social injustice. Indeed, such creative activity is similar to Fauvism, but Rouault is considered to be an expressionist with a spiritual mind. In Japan, he was introduced by some artists and critics in the 1920s, such as Jutaro KURODA, Katsuzo SATOMI. This introduction is later than other Impressionists and Post-Impressionists, but he was popular among many Japanese artists and connoisseurs in an instant by the collection of Shigetaro FUKUSHIMA. His collection was introduced in an article of Bijyutsu-Shinron in 1929 and exhibited in Tokyo in 1934. Parts of his collection were lost, but some works are stored at the Bridgestone Museum, the Shiodome Museum and so on. I have outlined the details of Rouault's introduction, among others reception in Japan from the 1920s to the present. | |||||
内容記述 | ||||||
内容記述タイプ | Other | |||||
内容記述 | Georges ROUAULT (1871-1958) was a French artist who became famous in the first half of the 20th century, such as Picasso and Matisse. He participated in Salon d'Automne, and changed his style, with a dynamic touch, arranging the original colors and dark colors in the influence of his teacher, Gustave Moreau. He continued to paint the same subjects, circus clowns, prostitutes, judges, religious scenes, and the anger and sorrow of social injustice. Indeed, such creative activity is similar to Fauvism, but Rouault is considered to be an expressionist with a spiritual mind. In Japan, he was introduced by some artists and critics in the 1920s, such as Jutaro KURODA, Katsuzo SATOMI. This introduction is later than other Impressionists and Post-Impressionists, but he was popular among many Japanese artists and connoisseurs in an instant by the collection of Shigetaro FUKUSHIMA. His collection was introduced in an article of Bijyutsu-Shinron in 1929 and exhibited in Tokyo in 1934. Parts of his collection were lost, but some works are stored at the Bridgestone Museum, the Shiodome Museum and so on. I have outlined the details of Rouault's introduction, among others reception in Japan from the 1920s to the present. | |||||
書誌情報 |
成城美学美術史 号 17/18, p. 49-69, 発行日 2012-03 |
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出版者 | ||||||
出版者 | 成城大学 | |||||
ISSN | ||||||
収録物識別子タイプ | ISSN | |||||
収録物識別子 | 13405861 | |||||
書誌レコードID | ||||||
収録物識別子タイプ | NCID | |||||
収録物識別子 | AN10440186 | |||||
論文ID(NAID) | ||||||
識別子タイプ | NAID | |||||
関連識別子 | 110009611071 |